The Brian Jonestown Massacre Tour 2023
Click on venue for ticket links
SUN 16th April 23 CHILE Santiago – Basel
TUE 18th April 23 ARGENTINA Buenos Aires – Complejo C Art Media
THU 20th April 23 BRAZIL São Paulo – Cine Joia
FRI 21st April 23 BRAZIL Brasilia – Picnik Festival (Praça Portugal) N/A – Free Entry
FRI 7th July 23 FRANCE Six Fours – Pointu Festival
SAT 8th July 23 ITALY Soliera (MO-Emilia Romagna) – Artivive
SUN 9th July 23 ITALY Chiusi (SI – Tuscany) – Lars Rock Fest N/A – Free Entry
MON 10th July 23 ITALY Turin (Piemonte) – SPAZIO 211 Open Air
FRI 4th Aug 23 FINLAND Kuusamo – Bal des Incohérents Festival
THU 17th Aug 23 PORTUGAL Paredes De Coura – Paredes De Coura Festival
SAT 2nd Sept 23 U.K Manchester – Psych Fest (Albert Hall)
Order The Brian Jonestown Massacre Fire Doesn’t Grow On Trees HERE
THE BRIAN JONESTOWN MASSACRE
Available on 180 grm clear vinyl LP , comes in superb deluxe packaging
Brian Jonestown Massacre burst into 2019 with the release of their 18th full-length album, just 7 months after their last one. The self-titled 9-track album is released on Anton Newcombe’s A Recordings on 15th March 2019. It was recorded and produced at Anton’s Cobra Studio in Berlin.
The album was originally going to be released in September, but due to a hugely successful global tour – taking in USA, Canada, Australia, New Zealand and Europe the release was delayed.
Recorded this time last year, the album features Sara Neidorf on drums, Heike Marie Radeker (LeVent) on bass, Hakon Adalsteinsson (BJM / Third Sound & Gunman & Holy Ghost) on guitar and Anton Newcombe on multiple instruments. Also making a guest vocal appearance on ‘Tombes Oubliées’ is Rike Bienert who has sung on previous BJM albums. The band performed songs from the album throughout the European leg of the 2018 tour.
Anton Newcombe has been a very busy man these past 5 years, having released 4 critically acclaimed Brian Jonestown Massacre albums and an EP, 1 soundtrack album and 2 albums with Tess Parks. All releases were fully recorded and produced at Anton’s studio.
The Brian Jonestown Massacre track ‘Bon Bon’ was used in the 2015 Palm D’Or winner Dheepan. Anton penned the soundtrack for ‘Moon Dogs’, a film directed by multi-BAFTA nominated Philip John (Svengali, Downton Abbey, Being Human).
1) Drained , 2) Tombes Oubliées , 3) My Mind Is Filled With Stuff , 4) Cannot Be Saved , 5) A Word , 6) We Never Had a Chance , 7) Too Sad To Tell You , 8) Remember Me This , 9) What Can I Say
The Brian Jonestown Massacre full show live @ Festival La Route du Rock 2018
THE BRIAN JONESTOWN MASSACRE ‘HOLD THAT THOUGHT’
WHITE VINYL 10″
Release Date: 18/05/2018
Available on white 180 grm vinyl .
Pre Order Here or by clicking above image.
This is the new single which announces the band’s forthcoming two albums to be released this year.
The first track is “Hold That Thought” which comes from the album “Something Else” which is to be released on 1st June 2018.
The second track is “Drained” which will come from the self titled album that will be released in September of 2018.
Both tracks were recorded in Berlin & the band are announcing tours of the USA, Canada, Australasia & Europe throughout the year.
All tracks were recorded at Cobra Studios , Berlin in 2017 .
Hold That Thought
THE BRIAN JONESTOWN MASSACRE ‘POL POT’S PLEASURE PENTHOUSE’ VINYL 2XLP
First time available on vinyl , the only ever time this album has been officially released was on Burger Records (which was limited to 500 cassettes) .
Recorded in 1990/91 on a 4 track at Anton’s home in San Francisco, it is best described in Anton’s own words.
“when I left home and moved to san francisco, first thing on my mind was joining a band… the problem for me was that there were not any bands that would have me or even played the type of music I imagined I wanted to hear… so I decided to start my own…
I would make small down payments at pawnshops for gear, buy recording machines, amps, guitars, whatever. within 3 months of teaching myself the 7 folk chords I use nonstop to this day, I had already taught a few new friends how to play as well and we were off. I used to make up songs everyday on the 4 track just to teach myself how to write…
I understood what i liked about music, I just didn’t know how to pull it out of the ether and bring them into being. At the same time, I would make demo tapes and share them with friends… endless demo tapes…
I would send them to magazines and record labels with no return address, just for the fuck of it. It was never my intention to actually release this music… for instance if i came up with a country song, I would finish it just to learn more about writing…
I didn’t want to be in a classic country group, this is a document of my learning process. good times… this album is one such tape from 1990/91 I can’t remember. enjoy.”